the compassion anthology
  • About Us
    • Submission Guidelines
    • Staff
    • Exhibit Photos
  • Letter from the Editor
  • Poetry
    • Amirah Al Wassif
    • Zakia el-Marmouke
    • Rachelle Parker
    • Michelle Messina Reale
    • Todd Davis
    • Lori Levy
    • Tim Suermondt
    • Amy Small-McKinney
    • Chad W. Lutz
    • Brenda Yates
    • Carolyn Martin
  • Fiction
    • Leo Tolstoy
    • Leslie Contreras Schwartz
    • K. Alan Leitch
    • Laton Carter
    • Dave Barrett
  • Essays
    • Cathy Warner
    • Serenity Schoonover
    • Review of the Movie What Do You Believe Now?
  • Art
    • The Masters
    • Amantha Tsaros
    • Christopher Woods
    • Ann Marie Sekeres
  • Archives
    • Spring 2019, Letter from the Editor
    • Winter 2018 Letter from the Editor
    • Summer 2017 Letter from the Editor
    • Winter 2017 Letter from the Editor
    • Summer 2016 Letter from the Editor
    • Winter 2016 Letter from the Editor
    • Summer 2015 Letter from the Editor
    • Winter 2015 Letter from the Editor
    • Spring 2015 Letter from the Editor
    • Exhibits/Fundraisers 2015
    • Poetry, 2019 >
      • Robbie Gamble
      • Robert Okaji
      • Nicholas Samaras
      • Gabriella Brand
      • Sarah Wernsing
      • Jen Karetnick
      • Cindy Veach
      • Seres Jaime Magana
    • Fiction, 2019 >
      • Ruth Mukwana
      • Andrea Gregory
      • Olivia Kate Cerrone
      • Rebecca Keller
    • Essays, 2019 >
      • Review of the movie GIFT
      • Jalina Mhyana
      • Stephen Dau
      • Alexandra Grabbe
      • Olive Paige
    • Art, 2019 >
      • Krisztina Asztalos
      • Rute Ventura
      • Laura Gurton
    • Winter 2018 Art >
      • Dawid Planeta
      • Liliana Washburn
      • Ellen Halloran
    • Winter 2018 Fiction >
      • Charlotte Perkins Gilman
      • Herman Melville
    • Winter 2018 Essays >
      • Nikki Hodgson
      • Ciara Hall
      • Sara Roizen
      • Review of Claudine Nash's The Wild Essential
    • Winter 2018 Poetry >
      • Parker Anthony
      • Crystal Condakes Karlberg
      • Julia Lisella
      • Cynthia Atkins
      • Claudine Nash
    • Essays Summer 2017 >
      • Interview with Gail Entrekin
      • Patricia Reis
      • John Nelson
      • Mary Baures
      • Monette Bebow-Reinhard
      • M.J. Iuppa
    • Fiction Summer 2017 >
      • Jean Ryan
      • Daniel Hudon
      • Ray Keifetz
      • Anne Elliott
      • C.S. Malerich
      • Sascha Morrell
    • Art Summer 2017 >
      • Sara Roizen
      • Jill Slaymaker
      • John Mark Jennings
      • Janel Houton
      • Brandon Gorski
      • Tara White
      • Nancy Dudley
      • Elisabetta Lucchi
    • Poetry Summer 2017 >
      • Megan Merchant
      • Joey Gould
      • Claudine Nash
      • M.R. Smith
      • Kim Aubrey
      • Vivian Wagner
    • Winter 2017 Poetry >
      • Dan King
      • Kathleen Byron
      • Sam Bresnahan
      • Olivia McCormack
      • Danny Romanovitz
      • Kyle Quinn
    • Winter 2017 Art >
      • Elliott Grinnell
      • Olivia McCormack
      • Brendan Brown
      • Lauren Waisnor
    • Winter 2017 Essays >
      • Kathleen Byron
      • Eddie Marshall
      • Sofia Colvin
      • Ishita Pandey
      • Mohsin Tunio
    • Summer 2016 Fiction >
      • Jyotsna Sreenivasan
    • Summer 2016 Art The Women Artists and Writers Exhibit
    • Summer 2016 Poetry >
      • Colleen Michaels
      • Jennifer Markell
      • Tara Masih
      • Holly Guran
      • Heather Nelson
      • Bahareh Amidi
      • Alison Stone
      • Julia Travers
      • Amy Jo Trier-Walker
    • Summer 2016 Essays >
      • Olivia Kate Cerrone
      • Katelyn Gilbert
      • Kim-Marie Walker
      • Bahareh Amidi
    • Winter 2016 Fiction >
      • Blue Vinyl, Green Vinyl
      • The Cresting Water
    • Winter 2016 Art >
      • San Giovanni D'Asso Landscape Paintings
      • It's All About the River
      • Jellyfish Sculptural Drawings
    • Winter 2016 Poetry >
      • Poems from Songs in the Storm
    • Winter 2016 Essays >
      • The Gleaners
      • The Aliveness Project
      • Named
    • Summer 2015 Fiction >
      • The Cloak
      • Sanctuary
    • Summer 2015 Art >
      • Environmental Art
      • Compassion in the Midst of Violence
      • Burn Myself Completely for Him and Souls
      • Eye of Oneness
      • Stepping Forward
    • Summer 2015 Poetry >
      • Poem With a Question From Neruda and INDICTMENT
      • The Humans
      • Afghan Boy and other poems
      • Reparations
      • Transference and other poems
    • Summer 2015 Essays >
      • The Ineffable Aspects of Forgiveness
      • He Was Better Than I’ll Ever Be
      • A Voice in the Desert
    • Winter 2015 Fiction >
      • White Heron
      • Freeing a Little of the Madness
    • Winter 2015 Art >
      • Cascade of Care and Life
      • Sentience
      • A Paternal Instant
      • Aurora, Paloma, and the Melangolo Tree
      • Seated Pose
      • Antigone's Map
      • Ladder
    • Winter 2015 Poetry >
      • Dissolution of the Soviet Union
      • Nicknames
      • Stopped at a Light,
      • Why mate for life? Red crown crane
      • The Prisoner
      • Stigmata
      • "Oh don't," she said. "It's cold."
      • Convene
    • Winter 2015 Essays >
      • The Forgiveness Project
      • A Stranger on a Subway
      • A Journey to Compassion
      • The Question of Compassion
      • Reflections on a Childhood Deforested
      • Click, Click, Click
Artist Statement
 
Compassion is defined as a sympathetic consciousness of another’s distress and sorrow accompanied by a desire to relieve that suffering. It can refer to both the understanding of another’s pain and the action that stems from that feeling.
 
Does an artist offer compassion to herself/himself in the process of creating a work of art?
 
We have an idea that appears  in our minds, something with a  life of its own that wants to be realized in the material world. We may have a feeling of apprehension. Can we fully and worthily realize this idea that wants to come forth?  Avoidance brings us to a state of intellectual paralysis, to a sense of being locked inside of ourselves as the idea searches for a material existence. Some artists speak of being “blocked,” of feeling depressed. Other artists experience this as a kind of anxiety.
 
Movement unlocks our feeling of helplessness. We move from an idea to a finished form by simple actions—picking up a pencil, making a mark, tearing a sheet of paper, executing a brushstroke,  joining surfaces together—until what was once only a thought achieves a palpable existence in the material world.
 
Flannery O’Connor wrote that in art the self, (the artist) becomes “self-forgetful” to facilitate the demands of the ideas that we see in our minds and the things that we actually create from those ideas. In this self-forgetfulness artists act compassionately toward themselves by keeping their ideas  in motion, alleviating their own anxieties, and bringing them forward as gifts to the world in lyrical, energetic and beautiful forms.
 
Ellen Halloran is a visual artist who has worked as a metalsmith, jeweler, legal proofreader, writer, and art teacher. She developed and implemented art programs for child victims of sexual abuse, children who witnessed violence, and children recovering from traumatic events. Her work has been exhibited in galleries and is included in many private collections. She received a fellowship in painting from The Constance Saltonstall Foundation for the Arts.

 
Picture
Once in a Blue Moon
by Ellen Halloran

Picture
Oppity-Poppity
by Ellen Halloran

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