the compassion anthology
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    • Poetry, 2019 >
      • Robbie Gamble
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      • Seres Jaime Magana
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      • Review of the movie GIFT
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      • Herman Melville
    • Winter 2018 Essays >
      • Nikki Hodgson
      • Ciara Hall
      • Sara Roizen
      • Review of Claudine Nash's The Wild Essential
    • Winter 2018 Poetry >
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      • Crystal Condakes Karlberg
      • Julia Lisella
      • Cynthia Atkins
      • Claudine Nash
    • Essays Summer 2017 >
      • Interview with Gail Entrekin
      • Patricia Reis
      • John Nelson
      • Mary Baures
      • Monette Bebow-Reinhard
      • M.J. Iuppa
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      • Jean Ryan
      • Daniel Hudon
      • Ray Keifetz
      • Anne Elliott
      • C.S. Malerich
      • Sascha Morrell
    • Art Summer 2017 >
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      • Jill Slaymaker
      • John Mark Jennings
      • Janel Houton
      • Brandon Gorski
      • Tara White
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      • Elisabetta Lucchi
    • Poetry Summer 2017 >
      • Megan Merchant
      • Joey Gould
      • Claudine Nash
      • M.R. Smith
      • Kim Aubrey
      • Vivian Wagner
    • Winter 2017 Poetry >
      • Dan King
      • Kathleen Byron
      • Sam Bresnahan
      • Olivia McCormack
      • Danny Romanovitz
      • Kyle Quinn
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      • Olivia McCormack
      • Brendan Brown
      • Lauren Waisnor
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      • Eddie Marshall
      • Sofia Colvin
      • Ishita Pandey
      • Mohsin Tunio
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      • Jyotsna Sreenivasan
    • Summer 2016 Art The Women Artists and Writers Exhibit
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      • Jennifer Markell
      • Tara Masih
      • Holly Guran
      • Heather Nelson
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      • Amy Jo Trier-Walker
    • Summer 2016 Essays >
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      • Kim-Marie Walker
      • Bahareh Amidi
    • Winter 2016 Fiction >
      • Blue Vinyl, Green Vinyl
      • The Cresting Water
    • Winter 2016 Art >
      • San Giovanni D'Asso Landscape Paintings
      • It's All About the River
      • Jellyfish Sculptural Drawings
    • Winter 2016 Poetry >
      • Poems from Songs in the Storm
    • Winter 2016 Essays >
      • The Gleaners
      • The Aliveness Project
      • Named
    • Summer 2015 Fiction >
      • The Cloak
      • Sanctuary
    • Summer 2015 Art >
      • Environmental Art
      • Compassion in the Midst of Violence
      • Burn Myself Completely for Him and Souls
      • Eye of Oneness
      • Stepping Forward
    • Summer 2015 Poetry >
      • Poem With a Question From Neruda and INDICTMENT
      • The Humans
      • Afghan Boy and other poems
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      • Transference and other poems
    • Summer 2015 Essays >
      • The Ineffable Aspects of Forgiveness
      • He Was Better Than I’ll Ever Be
      • A Voice in the Desert
    • Winter 2015 Fiction >
      • White Heron
      • Freeing a Little of the Madness
    • Winter 2015 Art >
      • Cascade of Care and Life
      • Sentience
      • A Paternal Instant
      • Aurora, Paloma, and the Melangolo Tree
      • Seated Pose
      • Antigone's Map
      • Ladder
    • Winter 2015 Poetry >
      • Dissolution of the Soviet Union
      • Nicknames
      • Stopped at a Light,
      • Why mate for life? Red crown crane
      • The Prisoner
      • Stigmata
      • "Oh don't," she said. "It's cold."
      • Convene
    • Winter 2015 Essays >
      • The Forgiveness Project
      • A Stranger on a Subway
      • A Journey to Compassion
      • The Question of Compassion
      • Reflections on a Childhood Deforested
      • Click, Click, Click
Postcard, Art for Aleppo Project
by Rute Ventura


A Female Right (A)
by Rute Ventura
 
watercolor pencil on paper coated with resin, 18 in. x 18 in.

Picture
Picture
Artist Statement
My artwork concerns have to do with our contemporary society, politics, maternal issues, and cultural identity. The selections of materials I use depend on the issues that each project reflects and how the materials relate to them. I work with what best suits the artwork’s idea; the outcome can become a painting, sculpture, performance art, video art, and/or installation. With the product, I hope to contrast the world’s daily routine, constructing new visuals that give body to ideas that have the potential to influence others on a deeper level than their day-to-day, emphasizing a collective awareness.
 
A Female Right (A) is one of two panels of watercolor drawings coated in resin that features nine mothers from different cultural backgrounds breastfeeding their children. Nursing is the most natural and healthy way of feeding babies and, for non-fundamental reasons, has become a taboo in Western society.
 
 

Rute Ventura is a multidisciplinary artist who graduated with a master’s degree in fine arts from the School of Art and Design in Caldas da Rainha, Portugal. Rute collaborates as a teaching artist with the Brooklyn Arts Council, Doing Art Together, the Romare Bearden Foundation, The Leadership Program, and Start Social in Portugal. Her projects include drawing, painting, sculpture, video, performance art and installation. She is a member of various artist collectives and has exhibited her work throughout New York City. Her website is www.ruteventura.com
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