the compassion anthology
  • About Us
    • Submission Guidelines
    • Staff
    • Exhibit Photos
  • Letter from the Editor
  • Poetry
    • Amirah Al Wassif
    • Zakia el-Marmouke
    • Rachelle Parker
    • Michelle Messina Reale
    • Todd Davis
    • Lori Levy
    • Tim Suermondt
    • Amy Small-McKinney
    • Chad W. Lutz
    • Brenda Yates
    • Carolyn Martin
  • Fiction
    • Leo Tolstoy
    • Leslie Contreras Schwartz
    • K. Alan Leitch
    • Laton Carter
    • Dave Barrett
  • Essays
    • Cathy Warner
    • Serenity Schoonover
    • Review of the Movie What Do You Believe Now?
  • Art
    • The Masters
    • Amantha Tsaros
    • Christopher Woods
    • Ann Marie Sekeres
  • Archives
    • Spring 2019, Letter from the Editor
    • Winter 2018 Letter from the Editor
    • Summer 2017 Letter from the Editor
    • Winter 2017 Letter from the Editor
    • Summer 2016 Letter from the Editor
    • Winter 2016 Letter from the Editor
    • Summer 2015 Letter from the Editor
    • Winter 2015 Letter from the Editor
    • Spring 2015 Letter from the Editor
    • Exhibits/Fundraisers 2015
    • Poetry, 2019 >
      • Robbie Gamble
      • Robert Okaji
      • Nicholas Samaras
      • Gabriella Brand
      • Sarah Wernsing
      • Jen Karetnick
      • Cindy Veach
      • Seres Jaime Magana
    • Fiction, 2019 >
      • Ruth Mukwana
      • Andrea Gregory
      • Olivia Kate Cerrone
      • Rebecca Keller
    • Essays, 2019 >
      • Review of the movie GIFT
      • Jalina Mhyana
      • Stephen Dau
      • Alexandra Grabbe
      • Olive Paige
    • Art, 2019 >
      • Krisztina Asztalos
      • Rute Ventura
      • Laura Gurton
    • Winter 2018 Art >
      • Dawid Planeta
      • Liliana Washburn
      • Ellen Halloran
    • Winter 2018 Fiction >
      • Charlotte Perkins Gilman
      • Herman Melville
    • Winter 2018 Essays >
      • Nikki Hodgson
      • Ciara Hall
      • Sara Roizen
      • Review of Claudine Nash's The Wild Essential
    • Winter 2018 Poetry >
      • Parker Anthony
      • Crystal Condakes Karlberg
      • Julia Lisella
      • Cynthia Atkins
      • Claudine Nash
    • Essays Summer 2017 >
      • Interview with Gail Entrekin
      • Patricia Reis
      • John Nelson
      • Mary Baures
      • Monette Bebow-Reinhard
      • M.J. Iuppa
    • Fiction Summer 2017 >
      • Jean Ryan
      • Daniel Hudon
      • Ray Keifetz
      • Anne Elliott
      • C.S. Malerich
      • Sascha Morrell
    • Art Summer 2017 >
      • Sara Roizen
      • Jill Slaymaker
      • John Mark Jennings
      • Janel Houton
      • Brandon Gorski
      • Tara White
      • Nancy Dudley
      • Elisabetta Lucchi
    • Poetry Summer 2017 >
      • Megan Merchant
      • Joey Gould
      • Claudine Nash
      • M.R. Smith
      • Kim Aubrey
      • Vivian Wagner
    • Winter 2017 Poetry >
      • Dan King
      • Kathleen Byron
      • Sam Bresnahan
      • Olivia McCormack
      • Danny Romanovitz
      • Kyle Quinn
    • Winter 2017 Art >
      • Elliott Grinnell
      • Olivia McCormack
      • Brendan Brown
      • Lauren Waisnor
    • Winter 2017 Essays >
      • Kathleen Byron
      • Eddie Marshall
      • Sofia Colvin
      • Ishita Pandey
      • Mohsin Tunio
    • Summer 2016 Fiction >
      • Jyotsna Sreenivasan
    • Summer 2016 Art The Women Artists and Writers Exhibit
    • Summer 2016 Poetry >
      • Colleen Michaels
      • Jennifer Markell
      • Tara Masih
      • Holly Guran
      • Heather Nelson
      • Bahareh Amidi
      • Alison Stone
      • Julia Travers
      • Amy Jo Trier-Walker
    • Summer 2016 Essays >
      • Olivia Kate Cerrone
      • Katelyn Gilbert
      • Kim-Marie Walker
      • Bahareh Amidi
    • Winter 2016 Fiction >
      • Blue Vinyl, Green Vinyl
      • The Cresting Water
    • Winter 2016 Art >
      • San Giovanni D'Asso Landscape Paintings
      • It's All About the River
      • Jellyfish Sculptural Drawings
    • Winter 2016 Poetry >
      • Poems from Songs in the Storm
    • Winter 2016 Essays >
      • The Gleaners
      • The Aliveness Project
      • Named
    • Summer 2015 Fiction >
      • The Cloak
      • Sanctuary
    • Summer 2015 Art >
      • Environmental Art
      • Compassion in the Midst of Violence
      • Burn Myself Completely for Him and Souls
      • Eye of Oneness
      • Stepping Forward
    • Summer 2015 Poetry >
      • Poem With a Question From Neruda and INDICTMENT
      • The Humans
      • Afghan Boy and other poems
      • Reparations
      • Transference and other poems
    • Summer 2015 Essays >
      • The Ineffable Aspects of Forgiveness
      • He Was Better Than I’ll Ever Be
      • A Voice in the Desert
    • Winter 2015 Fiction >
      • White Heron
      • Freeing a Little of the Madness
    • Winter 2015 Art >
      • Cascade of Care and Life
      • Sentience
      • A Paternal Instant
      • Aurora, Paloma, and the Melangolo Tree
      • Seated Pose
      • Antigone's Map
      • Ladder
    • Winter 2015 Poetry >
      • Dissolution of the Soviet Union
      • Nicknames
      • Stopped at a Light,
      • Why mate for life? Red crown crane
      • The Prisoner
      • Stigmata
      • "Oh don't," she said. "It's cold."
      • Convene
    • Winter 2015 Essays >
      • The Forgiveness Project
      • A Stranger on a Subway
      • A Journey to Compassion
      • The Question of Compassion
      • Reflections on a Childhood Deforested
      • Click, Click, Click
Transference
by Laura Foley
first published in The Mom Egg Review

The inmate says he wants
to smash someone’s head
against a concrete floor.

My brother’s stolen
my land and here I am
stuck in jail.

His face is livid,
his fist twitching.
We spend the day

meditating in silence,
eight hours in a quiet room
with a concrete floor

I breathe his anger in.
The next morning, my neck
is stiff and sore.

I have to hold my head up
with my hands
to save my neck

from its weight,
compressing the spine.
The inmate smashes

his fist into a guard,
is strait-jacketed,
taken upstate.

Six months till my head
and neck exhale, six months
to heal the ache.

  

Sophie
by Laura Foley
first published in The Glass Tree by Harbor Mountain Press, 2012
 
I need to go to the bathroom. Help me!
Sophie cries, her bent body tense,
contorted like a fist beneath the sheets.

I find a nurse in the hallway.
Sophie just went, she says, exasperated,
then vanishes into someone else's room.

I return, tell the patient to relax, lie back.
Now she's calling for Arthur.
My son! I need him! I am dying.

Maybe he'll be here soon, I say,
and: It's okay to be alone.
Then I place my hand beneath hers

and she grips it tightly, releases, grips, releases,
her hand pulsing in mine like a heartbeat
I breathe with, as finally, she sleeps.

 

Homelessness Retreat
by Laura Foley
first published in The Glass Tree by Harbor Mountain Press, 2012

I
Wanting to understand, I’ve returned to the city
where I was born, to become intimate with streets,
the people of the streets. To sleep as they do,
thin cardboard on concrete.

To share meals with strangers;
So, how long since you've had a job?
or, Where’s the best place for lunch?
And maybe they'll tell you
how they’ve found Jesus.

Without credit card, wallet,
clean clothes, showers, toothbrush, cash.
For four days, three nights, we live unwashed,
without a clean place to sleep.

Sometimes we sit chanting in a circle in the park
or walk miles of city blocks
finding shelter in churches
or pulling cardboard from trash.

Some of us quarry treasure, plastic bags full
of cans, worth five cents each.

 
II
Past midnight, we’re lying beneath the Win Won
Chinese Restaurant sign,
in an alley off Pearl Street.

When we look up from our concrete beds,
we see buildings on each side, over twenty stories tall,
so high the two sides seem to touch.

I recite The Lake Isle of Innisfree:
Though I stand on the roadway, or on the pavements gray,
I hear it in the deep heart’s core
and we all try to sleep.

 
III
Rain penetrates our urban cavern,
touches our eyes, cheeks, brows.

I imagine rain falling onto New York Harbor,
all the tender souls lying on the street.

Gnats arrive, biting our lips,
the delicate flesh around our eyes.

I wrap myself inward, seeking sleep,
and then find it.

 
IV
Before breakfast at the mission on Bowery, 
I squeeze into a pew between two sleeping men.
Outside it’s still dark, the air gray and tired.
I feel like sleeping too.

The preacher bellows God is Strong and Mighty,
Halleluiah! His throat sounds tight and dry.
Then the doors open and we’re allowed to eat.

A long line for oatmeal, platters of bruised pears, apples,
yogurt slightly out-of-date.

Two Asian women fill their sacks with fruit,
like peasants gleaning a field.


V
Some of us try to sleep on park benches.
I lie down on cardboard,
curl into my neighbor’s back,
seeking warmth, eluding wind.
 
I brush a crawling spider from my face,
closing my eyes,
trying not to think of rats.

Several policemen arrive, holding night sticks.
I rise drowsy on one arm,
attempt a smile.

 

Laura Foley is the author of four poetry collections including The Glass Tree (Harbor Mountain Press, 2012), which won the Foreword Book of the Year Award, and Joy Street (Headmistress Press, 2014), which won the Bi-Writer’s Award. Her poems have appeared in journals and magazines including Valparaiso Poetry Review, Inquiring Mind, Pulse Magazine, Poetry Nook, Lavender Review, The Mom Egg Review, and in the anthologies In the Arms of Words: Poems for Disaster Relief and Weatherings.

Proudly powered by Weebly