the compassion anthology
  • About Us
    • Submission Guidelines
    • Staff
    • Exhibit Photos
  • Letter from the Editor
  • Poetry
    • Amirah Al Wassif
    • Zakia el-Marmouke
    • Rachelle Parker
    • Michelle Messina Reale
    • Todd Davis
    • Lori Levy
    • Tim Suermondt
    • Amy Small-McKinney
    • Chad W. Lutz
    • Brenda Yates
    • Carolyn Martin
  • Fiction
    • Leo Tolstoy
    • Leslie Contreras Schwartz
    • K. Alan Leitch
    • Laton Carter
    • Dave Barrett
  • Essays
    • Cathy Warner
    • Serenity Schoonover
    • Review of the Movie What Do You Believe Now?
  • Art
    • The Masters
    • Amantha Tsaros
    • Christopher Woods
    • Ann Marie Sekeres
  • Archives
    • Spring 2019, Letter from the Editor
    • Winter 2018 Letter from the Editor
    • Summer 2017 Letter from the Editor
    • Winter 2017 Letter from the Editor
    • Summer 2016 Letter from the Editor
    • Winter 2016 Letter from the Editor
    • Summer 2015 Letter from the Editor
    • Winter 2015 Letter from the Editor
    • Spring 2015 Letter from the Editor
    • Exhibits/Fundraisers 2015
    • Poetry, 2019 >
      • Robbie Gamble
      • Robert Okaji
      • Nicholas Samaras
      • Gabriella Brand
      • Sarah Wernsing
      • Jen Karetnick
      • Cindy Veach
      • Seres Jaime Magana
    • Fiction, 2019 >
      • Ruth Mukwana
      • Andrea Gregory
      • Olivia Kate Cerrone
      • Rebecca Keller
    • Essays, 2019 >
      • Review of the movie GIFT
      • Jalina Mhyana
      • Stephen Dau
      • Alexandra Grabbe
      • Olive Paige
    • Art, 2019 >
      • Krisztina Asztalos
      • Rute Ventura
      • Laura Gurton
    • Winter 2018 Art >
      • Dawid Planeta
      • Liliana Washburn
      • Ellen Halloran
    • Winter 2018 Fiction >
      • Charlotte Perkins Gilman
      • Herman Melville
    • Winter 2018 Essays >
      • Nikki Hodgson
      • Ciara Hall
      • Sara Roizen
      • Review of Claudine Nash's The Wild Essential
    • Winter 2018 Poetry >
      • Parker Anthony
      • Crystal Condakes Karlberg
      • Julia Lisella
      • Cynthia Atkins
      • Claudine Nash
    • Essays Summer 2017 >
      • Interview with Gail Entrekin
      • Patricia Reis
      • John Nelson
      • Mary Baures
      • Monette Bebow-Reinhard
      • M.J. Iuppa
    • Fiction Summer 2017 >
      • Jean Ryan
      • Daniel Hudon
      • Ray Keifetz
      • Anne Elliott
      • C.S. Malerich
      • Sascha Morrell
    • Art Summer 2017 >
      • Sara Roizen
      • Jill Slaymaker
      • John Mark Jennings
      • Janel Houton
      • Brandon Gorski
      • Tara White
      • Nancy Dudley
      • Elisabetta Lucchi
    • Poetry Summer 2017 >
      • Megan Merchant
      • Joey Gould
      • Claudine Nash
      • M.R. Smith
      • Kim Aubrey
      • Vivian Wagner
    • Winter 2017 Poetry >
      • Dan King
      • Kathleen Byron
      • Sam Bresnahan
      • Olivia McCormack
      • Danny Romanovitz
      • Kyle Quinn
    • Winter 2017 Art >
      • Elliott Grinnell
      • Olivia McCormack
      • Brendan Brown
      • Lauren Waisnor
    • Winter 2017 Essays >
      • Kathleen Byron
      • Eddie Marshall
      • Sofia Colvin
      • Ishita Pandey
      • Mohsin Tunio
    • Summer 2016 Fiction >
      • Jyotsna Sreenivasan
    • Summer 2016 Art The Women Artists and Writers Exhibit
    • Summer 2016 Poetry >
      • Colleen Michaels
      • Jennifer Markell
      • Tara Masih
      • Holly Guran
      • Heather Nelson
      • Bahareh Amidi
      • Alison Stone
      • Julia Travers
      • Amy Jo Trier-Walker
    • Summer 2016 Essays >
      • Olivia Kate Cerrone
      • Katelyn Gilbert
      • Kim-Marie Walker
      • Bahareh Amidi
    • Winter 2016 Fiction >
      • Blue Vinyl, Green Vinyl
      • The Cresting Water
    • Winter 2016 Art >
      • San Giovanni D'Asso Landscape Paintings
      • It's All About the River
      • Jellyfish Sculptural Drawings
    • Winter 2016 Poetry >
      • Poems from Songs in the Storm
    • Winter 2016 Essays >
      • The Gleaners
      • The Aliveness Project
      • Named
    • Summer 2015 Fiction >
      • The Cloak
      • Sanctuary
    • Summer 2015 Art >
      • Environmental Art
      • Compassion in the Midst of Violence
      • Burn Myself Completely for Him and Souls
      • Eye of Oneness
      • Stepping Forward
    • Summer 2015 Poetry >
      • Poem With a Question From Neruda and INDICTMENT
      • The Humans
      • Afghan Boy and other poems
      • Reparations
      • Transference and other poems
    • Summer 2015 Essays >
      • The Ineffable Aspects of Forgiveness
      • He Was Better Than I’ll Ever Be
      • A Voice in the Desert
    • Winter 2015 Fiction >
      • White Heron
      • Freeing a Little of the Madness
    • Winter 2015 Art >
      • Cascade of Care and Life
      • Sentience
      • A Paternal Instant
      • Aurora, Paloma, and the Melangolo Tree
      • Seated Pose
      • Antigone's Map
      • Ladder
    • Winter 2015 Poetry >
      • Dissolution of the Soviet Union
      • Nicknames
      • Stopped at a Light,
      • Why mate for life? Red crown crane
      • The Prisoner
      • Stigmata
      • "Oh don't," she said. "It's cold."
      • Convene
    • Winter 2015 Essays >
      • The Forgiveness Project
      • A Stranger on a Subway
      • A Journey to Compassion
      • The Question of Compassion
      • Reflections on a Childhood Deforested
      • Click, Click, Click
John Mark Jennings

Artist Statement

 
This early morning image explores the wakening of the desert as the sun calls to the plants and dunes at White Sands National Monument, outside of Alamogordo, New Mexico. As the night sky yields to the sun and arrives at the desert floor, a promise seems to be made: that with light, the natural world will awaken, refreshed and somehow re-composed. Nearby, the first atomic bomb was successfully tested in 1945.

Picture
White Sands at Sunrise
by John Mark Jennings
 
archival color print on metallic paper
16" x 24"
$210

This image explores the scale of the natural world, even with mankind's fingerprints all over it. How compassionate has our stewardship been as we fish, raise livestock, and grow children among the rolling hills and coastline of northern Wales? How deep have we embedded ourselves? How small do we seem against the sea and sky? When do we take account of our impact, or do we rush by along the motorways of our daily lives?
 
John Mark Jennings is a contemporary landscape and architectural photographer based in Far West Texas. His images focus primarily on the American West and Latin America, with an emphasis on sites where the land and history intersect in dramatic ways. In between road trips, John splits his time between homes in Marfa and Austin. Additional images at www.johnmarkjennings.com

Picture
Late Morning on Cardigan Bay
by John Mark Jennings
 
archival sepia print on metallic paper
16" x 24"
$210

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